Ilka White is an artist and teacher whose practice spans textiles, sculpture, cross-disciplinary collaboration and art-in-community. Direct engagement with the natural world and a love for 'primary' skills and world textile traditions inform the way she lives, makes and teaches. During the great pause, adventures in foraging and ferment have deepened her appreciation for local plants and waterways, weeds, seeds and root vegetables.
Ilka's popular classes reflect her love of the handmade, her contemporary use of traditional making methods and the principles of sustainability. She's a great believer in the capacity of connection to lift our collective spirits.
Ilka’s work has questioned the separation of mind, body, time and place. She has traveled into Central Australia to produce work in response to Newhaven station bird reserve and walked 3 weeks with a group of artists in far South West Victoria to further her immersive approach to art making. In 2010 she worked with St Pauls Community in the Torres Strait on a shadow puppet play about the threat ‘Ghost nets’ pose to saltwater people and their environment.
An abiding interest in world textile traditions also informs many aspects of Ilka’s making and teaching practice. In 2000 she undertook a Churchill fellowship, learning from weavers of traditional textiles in Indonesia, India, Nepal and Bhutan. This journey strengthened her appreciation for work that grows directly from the maker’s history, place and cultural identity.
Ilka holds a Bachelor of Fine Arts from Monash University and an Associate Diploma in Studio Textiles from Melbourne Institute of Textiles (now RMIT). She taught Contemporary Art and Design, Weaving and Textile History at RMIT University from 1999-2011and was teaching artist in residence at ANU School of Art in 2012. She has since worked throughout Australia as an artist, independent teacher and community facilitator.
Ilka has exhibited internationally and her work is represented in the public collections of the National Gallery of Australia, the National Gallery of Victoria, RMIT University and private collections in Australia, U.K. and U.S.A. Her work appears in a variety of publications including Textiles: The Art of Mankind (Thames & Hudson, London. 2012), Art Textiles of the World – Australia Vol. 2 (Telos Art Publishing, U.K. 2007), The Melbourne Design Guide (Lab.3000, 2006) and Handmade in Melbourne (GSP Books, Melbourne 2006).